Feature Films
THE CEMIL SHOW (2020) — Independent feaure film about a man who wants to be actor obsesivly.
THE CEMIL SHOW (2020) — Independent feaure film about a man who wants to be actor obsesivly.
PRODUCER, WRITER & DIRECTOR: BARIŞ SARHAN
PRODUCTION COMPANY: SARHAN PROJECTS
INTERNATIONAL SALES: ALPHA VIOLET
CAST: OZAN ÇELİK, NESRİN CAVADZADE, ALİCAN YÜCESOY
PRODUCER, WRITER & DIRECTOR: BARIŞ SARHAN
PRODUCTION COMPANY: SARHAN PROJECTS
INTERNATIONAL SALES: ALPHA VIOLET
CAST: OZAN ÇELİK, NESRİN CAVADZADE
ALİCAN YÜCESOY
DIRECTOR OF PHOTOGRAPHY: SOYKUT TURAN
EDITING: EVREN LUŞ
MUSIC: TANER YÜCEL
PRODUCTION DESIGN : BİLLUR TURAN
SOUND DESIGN: YALIN ÖZGENCİL
CO-PRODUCERS : UMUT EĞİTİMCİ
LEVEND ÇAĞIL
ÖNDER ÖNSAL
DIRECTOR OF PHOTOGRAPHY: SOYKUT TURAN
EDITING: EVREN LUŞ
MUSIC: TANER YÜCEL
PRODUCTION DESIGN : BİLLUR TURAN
SOUND DESIGN: YALIN ÖZGENCİL
CO-PRODUCERS : UMUT EĞİTİMCİ
LEVEND ÇAĞIL
ÖNDER ÖNSAL
Short Films
THE CEMIL SHOW (SHORT) (2015) — A security guy in a shopping mall wants to be "the employee of the month"
THE CEMIL SHOW (SHORT) (2015) — A security guy in a shopping mall wants to be "the employee of the month"
WRITER & DIRECTOR: BARIŞ SARHAN
PRODUCTOR: ARMAĞAN LALE
CAST: OZAN ÇELİK, ALİCAN YÜCESOY, GÜLCE ORAL,
SERKAN KESKİN, SALİH KALYON
DIRECTOR OF PHOTOGRAPHY: CAHİT ERŞAN
ART DİRECTOR: ERHAN ALABAŞ
EDIT: ALİ AGA
WRITER & DIRECTOR: BARIŞ SARHAN
PRODUCTOR: ARMAĞAN LALE
CAST: OZAN ÇELİK, ALİCAN YÜCESOY, GÜLCE ORAL,
SERKAN KESKİN, SALİH KALYON
DIRECTOR OF PHOTOGRAPHY: CAHİT ERŞAN
ART DİRECTOR: ERHAN ALABAŞ
EDIT: ALİ AGA
AWARDS
> AKBANK SHORT FILM FESTİVAL - BEST SHORT FİLM
> İSTANBUL FILM FESTİVAL - MENTION
> ADANA FİLM FESTİVAL - SCREENING
AWARDS
> AKBANK SHORT FILM FESTİVAL - BEST SHORT FİLM
> İSTANBUL FILM FESTİVAL - MENTION
> ADANA FİLM FESTİVAL - SCREENING
SLIPPERS (2009) — Independent feaure film about a man who wants to be actor obsesivly.
SLIPPERS (2009) — Independent feaure film about a man who wants to be actor obsesivly.
DIRECTOR: BARIŞ SARHAN
WRITER: IŞIL SÖNMEZ
PRODUCER: ARDA ERKMAN
DIRECTOR OF PHOTOGRAPHY: VEDAT ÖZDEMİR
EDIT: KIVANÇ İLGÜNER
SOUND DESIGN & MUSIC: KEREM AKSOY
CAST: BERKANT KESKİN, CİVAN ÇALIŞKAN, AHMET BERBER, NİLGÜN SARHAN
DIRECTOR: BARIŞ SARHAN
WRITER: IŞIL SÖNMEZ
PRODUCER: ARDA ERKMAN
DIRECTOR OF PHOTOGRAPHY: VEDAT ÖZDEMİR
EDIT: KIVANÇ İLGÜNER
SOUND DESIGN & MUSIC: KEREM AKSOY
CAST: BERKANT KESKİN, CİVAN ÇALIŞKAN
AHMET BERBER, NİLGÜN SARHAN
AWARDS
> İSTANBUL SHORT FILM FESTIVAL (2009) - BEST CREATIVE SHORT FILM
> İZMİR SHORT FILM FESTIVAL (2010) - BEST SHORT FILM
> DIGITAL FILM ACADEMY ISTANBUL (2009) - BEST SHORT FILM
> MARMARA UNIVERSITY FILM FESTIVAL (2010) - BEST SCREENPLAY
BEST CINEMATOGRAPHY
> AKBANK SHORT FILM FESTICAL - FINALIST
AWARDS
> İSTANBUL SHORT FILM FESTIVAL (2009)
- BEST CREATIVE SHORT FILM
> İZMİR SHORT FILM FESTIVAL (2010) - BEST SHORT FILM
> DIGITAL FILM ACADEMY ISTANBUL (2009) - BEST SHORT FILM
> MARMARA UNIVERSITY FILM FESTIVAL (2010)
- BEST SCREENPLAY - BEST CINEMATOGRAPHY
> AKBANK SHORT FILM FESTICAL - FINALIST
I worked eight years to make The Cemil Show and to find money. During this time, I continued to work as an advertising film director and art director. There have been times when I could shoot The Cemil Show with the budget we spent for only one day to shoot a commercial film. Having such an incredibly high condition on the one hand and having impossibilities on the other had a schizophrenic effect on me.
I worked eight years to make The Cemil Show and to find money. During this time, I continued to work as an advertising film director and art director. There have been times when I could shoot The Cemil Show with the budget we spent for only one day to shoot a commercial film. Having such an incredibly high condition on the one hand and having impossibilities on the other had a schizophrenic effect on me.
Commercials
GİTTİGİDİYOR — Commercial film with a graphic storytelling and high color contrast.
GİTTİGİDİYOR — Commercial film with a graphic storytelling and high color contrast.
The biggest challenge for me in Gittigidiyor film is creating a high contrast and saturation look with a soft lighting. In these kind of studio commercial people generally use soft and pastelle colors. It sounds frightening to work in this kind of look in the begining. But with a talented Dop and with the trust of agency we could make it.
The biggest challenge for me in Gittigidiyor film is creating a high contrast and saturation look with a soft lighting. In these kind of studio commercial people generally use soft and pastelle colors. It sounds frightening to work in this kind of look in the begining. But with a talented Dop and with the trust of agency we could make it.
GİTTİGİDİYOR (YILBAŞI) — Commercial film with a graphic storytelling and high color contrast.
GİTTİGİDİYOR (YILBAŞI) — Commercial film with a graphic storytelling and high color contrast.
İŞ BANKASI (Maxi) — A mix of live action and animation characters.
İŞ BANKASI (Maxi) — A mix of live action and animation characters.
VODAFONE — A comedy with a clever twist and using the slow motion dynamically
VODAFONE — A comedy with a clever twist and using the slow motion dynamically
SHELL — A dramatic and realistic commercial film in a short film sensibility.
SHELL — A dramatic and realistic commercial film in a short film sensibility.
VIALAND (KING KONG) — A viral film about the King Kong attack to İstanbul.
KING KONG (VIALAND) — A viral film about King Kong attack in İstanbul
